Adam Monroe's Rotary Organ Updated To Version 2.5 - OS X Big Sur Support, IR Reverb and Cabinets, New Presets
3.17.2021
Adam Monroe's Rotary Organ Piano Is a 32/64-Bit B3 Organ Plugin
* 60 Note Range C2 to C7
* DI and Amp Signals, Reverb, Vacuum Tube and Speaker Sims
* 10 Drawbars, Leslie Sim, Percussion, Vibrato, and Key Click
* 500 MB of Sample Data and 95 Presets
* Supports 44.1, 48, 88.2, and 96 kHz
Requirements:
 VST

Windows 7/8/10 (32 or 64-Bit)
OS X 10.9 - 10.15 (64 Bit)
OS X 10.9 - 10.14 (32 Bit)

4 Gigabytes of Ram (8 Gigabytes recommended)

Intel Core 2 DUO @ 3GHZ or higher recommended.

Firewire or PCI-based Audio Interface recommended

*Plugin may work with older hardware, but performance will be affected
*Plugin designed to work at 44.1, 48, 88.2, and 96 kHz sample rates. AU

OS X 10.9 - 10.15 (64 Bit)
OS X 10.9 - 10.14 (32 Bit)
(little endian CPU)

4 Gigabytes of Ram (8 Gigabytes recommended)

Intel Core 2 DUO @ 3GHZ or higher recommended.

Firewire or PCI-based Audio Interface recommended

*Plugin may work with older hardware, but performance will be affected
* Plugin designed to work at 44.1, 48, 88.2, and 96 kHz sample rates. AAX

64 Bit MAC OS X 10.9 (Mavericks) or later
64 Bit Windows 7/8/10

Protools 11/12/2018/2019

4 Gigabytes of Ram (8 Gigabytes recommended)

Intel Core 2 DUO @ 3GHZ or higher recommended.

Firewire or PCI-based Audio Interface recommended

* Plugin designed to work at 44.1, 48, 88.2, or 96 kHz sample rate.
Purchase Adam Monroe's Rotary Organ Sample LIbrary VST
Purchase Includes VST, AAX , and AU
Versions (Windows 7-10, MacOS 10.9-11.0)

  1. Tom Petty and the Heartbreakers - Refugee
  2. Jimmy Smith - Back at the Chicken Shack
  3. Allman Brothers Band - Ramblin Man
  4. Boston - Foreplay / Long Time
  5. Elliott Smith - Son of Sam
  6. Booker T. & the M.G.'s - Green Onions
  7. Tom Petty and the Heartbreakers - The Waiting
  8. Procol Harum - A Whiter Shade of Pale
  9. Huey Lewis and the News - Hip to be Square
  10. Borgan Lues
  11. Cycle Through all 95 Presets

Adam Monroe's Rotary Organ was sampled from a Hammond M3 tonewheel Organ. The end goal was to simulate the sound of a Hammondnd B3 organ with rotating Leslie Speaker inside of a VST/AU/AAX plugin. Every drawbar on every note was sampled individually via the organ's built-in speaker through a Neumann TLM 102 microphone.

The signal was re-amped though a Fender Deluxe Reverb and recorded via a Sennheiser e906. Both signals were run through Grace M101 preamps. A Hammond M3 Organ combines the last two harmonics into a single drawbar, this note was omitted. Instead, a "digital foldback" teqchnique was used to extend the harmonics of the Hammond M3 to be similar to that of a Hammond B3.

The organ's range was augmented to be similar to that of a Hammond B3. This was accomplished by using the Organ's pedal tones to add the lower octave notes.

The Leslie Speaker simulation was designed to mimic a real Leslie. The signal is split to a virtual bottom rotor and virtual upper rotor at around 600 Hz. Vibrato, chorus, and panning processing are used to simulate the rotation of the rotors. The upper rotor spins between 48/409 RPM's and the bottom rotor spins between 40/354 RPM's. Bottom rotor rotation can be bypassed. The Leslie simulation can also be bypassed.

B3 effects where also digitally simulated and these include percussion, vibrato, and key click. Vibrato scanner is similar to that of a B3 and includes vibrato as well as vibrato+chorus. Key click was simulated by adding random noise to the attack and release samples. Some key click can be heard in the original samples but the effect has been exaggerated. Percussion was simulated in VST as it is in real life: a higher amplitude, percussive decaying sound is added to the instrument via the 2nd or 3rd harmonic. The plugin also includes reverb, braking, variable acceleration, drive/distortion, smoothing, adjustable stereo panning, key-splitting, and preset switching. Version 2.0 also includes amplifier sims based on vacuum tube simulations and speaker EQ curves. An extra drawbar has also been added to the organ between the 4th and 5th drawbars (x), equivalent to the 5th harmonic of the sub-fundamental or a 3 1/5' pipe length.

Lollysports Kasey October Full Version Top

Production choices enhance the songwriting rather than compete with it. Reverb is used to create intimacy rather than distance; percussion textures suggest movement without overpowering; and the mix gives breathing room to small details that enrich the story. There’s a gentle arc from introspective opening to a resolved, if tentative, close—like finishing a late-night conversation and stepping back into the cool October air, blinking at the clarity the darkness brings.

Musically, “Kasey” blends indie-pop sensibilities with subtle electronic textures. A gently arpeggiated synth motif opens the song, soon joined by brushed percussion and a bassline that tugs just off-center—enough to create momentum without ever feeling urgent. The arrangement is smartly restrained: layers accumulate with care, letting Kasey’s voice remain the focal point while ambient harmonies and tasteful flourishes (a distant electric guitar, soft vocal doubles, and shimmering pads) color the space around her. lollysports kasey october full version top

Why it sticks: “Kasey” thrives because it’s specific where many pop songs go generic. It paints a scene and invites the listener into the quiet, messy reality of a relationship in flux. The result is both tender and honest—an autumnal snapshot that lingers after the last note fades. Why it sticks: “Kasey” thrives because it’s specific

Lollysports’ “Kasey” (October, Full Version) arrives like the first crisp breath of autumn: familiar warmth refracted through a cooler, more reflective lens. The track balances nostalgic intimacy with an undercurrent of restless motion, wrapping a personal narrative in lush production that rewards repeated listens. offering a brief

Vocally, the performance is intimate and conversational. The lead delivery sits close to the chest—breathy but steady—conveying affection, doubt, and the small ironies of falling forward. Lyrically, the song sketches a relationship in vignettes: domestic details, offhand confessions, and a recurring image or two that anchor the emotional throughline. Lines feel lived-in rather than polished aphorisms; they reveal character through specificity (a forgotten mug, the way someone folds a jacket) rather than sweeping declarations.

The chorus is quietly memorable—an earworm that doesn’t shout. It trades maximalism for emotional clarity: a melodic lift coupled with a lyrical concession, a moment where longing and acceptance sit side-by-side. The bridge pulls the song inward again, offering a brief, vulnerable confession before returning to the reassuring cadence of the final chorus.