I stopped going on TV. The lamp over my bench burned on. I worked on another adjuvant—one that could selectively restore empathy circuits without destabilizing physiology. Some said it was impossible. Others said it was dangerous. I kept at it because the line between mercy and coercion was too thin to ignore.
We tried to reverse it. We formulated counter-serums aimed at restoring limbic function. They worked in vitro, then in rodents, then in a man who had been vaccinated three days earlier. For the first hour after administration, he wept for hours of lost memories—names he could not place, birthdays he suddenly mourned. He staggered toward a window and shouted into the empty street, calling a voice only he remembered. Joy returned, raw and blinding; so did the pain. I stopped going on TV
The first week was panic—newsfeeds flooded with footage of fevered crowds and hospitals overflowing. Governments scrambled, labs hustled. I worked nights under a single harsh lamp, pipettes and centrifuges my only company. We were trying to make a vaccine, any vaccine, to blunt the virus’s cytokine storm. I thought of my mother’s cough and the empty chair at my sister’s table. Some said it was impossible